• Design
  • Art
  • Fashion
  • Experiential Tech
  • Life
  • Editor’s Letter___
  • Connect___

The Grace Jones Project

The Museum of African Diaspora (MoAD) presents its first iteration of The Grace Jones Project, an exhibition dedicated to Grace Jones as an icon of culture and art.

The exhibit is the latest way of presenting MoAD’s mission of actively engaging in the cultural expression of the African Diaspora and is concurrent with another group exhibition, Dandy Lion: (Re)Defining Black Masculinity, which portrays the variance and diversity of cisgender black male masculinity and the expression of this identity.

The Grace Jones Project highlights a group of artists interacting with queer identity and the black body—subjects Grace Jones helped bring into conversation. The exhibit displays the great influence the model, singer, actress, and icon held and still holds today. Certain works pay a direct tribute to Jones, such as Harold Offeh’s video installation, Arabesque, After Grace Jones, 1989 (2008–2009), while others have works dealing with Jonesian subjects relating to androgyny, fluid gender identity and sexuality, and the objectification and reclamation of the black body. The exhibit showcases over 20 works in the form of photos, videos, and performances.

Curator of the exhibit, Nicole Caruth, believes that Grace Jones’ recent memoir, reemergence, and great contribution to Afrofuturism, an artistic movement that involves narratives of the African Diaspora in relation to sci-fi, futuristic themes, demonstrates why the exhibit is needed today. While each work deals with Jones through distinct methods and treatments, be it aesthetically or influenced by the persona and mysticism of Grace Jones, each highlights how, as Caruth puts it, “Jones lives in a person’s subconscious.”

Located in the Yerba Buena Arts District in San Francisco, MoAD is an arts and culture institution and non-profit organisation committed to conserving and sharing narratives of the African Diaspora. The museum is dedicated to spreading and building a deeper understanding and awareness of the common African heritage among the diaspora through art and programs.

The Grace Jones Project is on now at the MoAD in San Francisco until Monday 18 September 2016.

Words: Perwana Nazif.

www.moadsf.org

—

Click here to subscribe to fluoroNotice for advanced news into a world where art, fashion, architecture, history and innovation come together.

Fri 29 Apr 16

  • Archive
  • Art
  • Culture
Share

Grace Jones – Identity – MoAD – San Francisco – sexuality – United States

Related articles
  • REKO RENNIE___ INTERDISCIPLINARY ARTIST
    REKO RENNIE___ INTERDISCIPLINARY ARTIST

    Reko Rennie is an interdisciplinary artist whose art explores the powerful connections between heritage, strength, and the fight for Indigenous representation and equality in today’s world. Raised in Footscray, Melbourne, Australia, he is deeply connected to the Kamilaroi people of northern New South Wales.

  • Eau de Vie Reinvents Fine Drinking
    Eau de Vie Reinvents Fine Drinking

    Famed Melbourne bar Eau de Vie is changing the game across Australia with two new experiences: a bespoke martini trolley and exclusive whisky tasting.

  • Ettore Sottsass: A Legend Remembered
    Ettore Sottsass: A Legend Remembered

    Two iconic spaces – The Met in New York and the Vitra Design Museum in Weil am Rhein – are celebrating the life and works of iconic Italian architect and designer Ettore Sottsass.

  • The Skateroom: Skateboarding and Art for Empowerment
    The Skateroom: Skateboarding and Art for Empowerment

    The Skateroom, a social entrepreneurship and not-for-profit based in Belgium, uses skateboarding and art to empower youth.

Show Trackbacks
One thought on “The Grace Jones Project”
  1. Darice Jones says:
    June 16, 2016 at 12:37 am

    Entering to win Grace Jones exhibit tix.

    Reply
Show All Comments

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.

154,182 Spambots Blocked by Simple Comments

Gaskin, Backstage at the Evisu Ball, Manhattan.
The Grace Jones Project.
Xaviera Simmons, Warm Leatherette, 2009.
Harold Offeh, Arabesque, After Grace Jones, 1989 (still), 2008-2009.
Gaskin, (painted black) at the Tony, Andrea, and Eric Ball, Brooklyn, NY.
© HM Group (Aus) Pty Ltd 2025
  • Editor’s Letter___
  • Subscribe___
  • Connect___
  • Disclaimer___
  • See
  • Hear
  • Taste
  • Smell
  • Touch
  • Qi
  • fluoroShop - Coming Soon
  • Keyword search
  • All country tags
  • All brand tags
  • Editor’s Letter___
  • Subscribe___
  • Connect___
  • Disclaimer___