• Design
  • Art
  • Fashion
  • Experiential Tech
  • Life
  • Editor’s Letter___
  • Connect___

The Element of Line

An exhibition at Hauser & Wirth titled LINES explores a group of international artists active between the 1950s and today, united by one element. The use of the line.

The exhibition examines how these artists have introduced new meaning to Formalism by finding new uses for geometric forms, which continuously challenge the limits of abstract art. LINES brings together artists that have approached the subject of line working in different contexts and regions and, in many cases, without knowledge of each other.

Works on paper play an important role in the exhibition, as lines have always been a central element in drawing. The 1970s works on paper by Brazilian Ivens Machado are a thorough examination of the highly politically charged space of the notebook. Colombian artist Johanna Calle operates with a different logic, expanding the possibilities of the grid by distorting, softening and eroding it. Calle’s work could be situated between the purist calculation of the architects and the actual experience of those who live in the city.

A film by Romanian artist Geta Brătescu shows the artist’s hands playing in front of the camera. In a work that brings together drawing, performance and cinematic narrative, Brătescu evokes manual activity as a condition of the artwork, also suggesting that the relationship between the artwork and the body is stressed.

LINES is on display at Hauser & Wirth, Zürich, Switzerland until Saturday 31 May 2014.

www.hauserwirth.com

—

Subscribe to fluoroNotice for advanced news into a world where art, fashion, architecture, history and innovation come together.

Sun 30 Mar 14

  • Archive
  • Art
Share

Exhibition – Hauser & Wirth – Switzerland – Zürich

Related articles
  • PIINPI___ CONSERVATION AND CELEBRATION
    PIINPI___ CONSERVATION AND CELEBRATION

    How might a garment express your country and culture? In Piinpi we discover the culturally-infused couture of Australia’s First Nations people.

  • RADICAL UTOPIA___ AN ARCHEOLOGY OF A CREATIVE CITY
    RADICAL UTOPIA___ AN ARCHEOLOGY OF A CREATIVE CITY

    In the late 1970s and in the ‘80s, Melbourne, Australia was being transformed – in architecture, fashion, contemporary jewellery and the decorative arts.

  • IO VAN OOSTVELDT___ ARTIST
    IO VAN OOSTVELDT___ ARTIST

    Belgian artist IO Van Oostveldt, a student of the Royal Academy of Fine Arts in Antwerp developed a fascination for geometric shapes and innovative techniques that would become the foundation of her unique artistic vision. This exhibition brings insight into her multisided, creative world.

  • RONE___    ARTIST
    RONE___ ARTIST

    Tyrone ‘Rone’ Wright’s exhibition Time is a haunting and memorable experience. There are few exhibitions that generate this level of excitement – each fine detail created by Rone and a team of 120 creatives at Flinders Street Station in Melbourne.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.

154,182 Spambots Blocked by Simple Comments

Lygia Pape. Tecelar. 1959. Woodcut on Japanese paper. 30.5 x 49.5 cm / 12 x 19 1/2 in. Courtesy the Lygia Pape Estate and Galeria Graça Brandăo.
Channa Horwitz. Language Series: Three. 2005. Plaka casein paint on rag board 25 x 32 cm / 9 7/8 x 12 5/8 in. Courtesy of the Channa Horwitz Estate and François Ghebaly.
Nasreen Mohamedi. Untitled. ca. 1970. Black and white photograph. 22.8 x 38.1 cm / 9 x 15 in. © Estate of Nasreen Mohamedi / Courtesy of Talwar Gallery.
Launch gallery
Ivens Machado. Machucado e Curado (Série Inscrito). 1980. Wine on ripped paper 86.7 x 59.2 cm / 34 1/8 x 23 1/4 in. © Ivens Machado. Courtesy the artist, Galeria Fortes Vilaça and Hauser & Wirth. Photo: Stefan Altenburger Photography Zürich. Lygia Pape. Tecelar. 1959. Woodcut on Japanese paper. 28.8 x 43.2 cm / 11 3/8 x 17 in. Courtesy the Lygia Pape Estate and Galeria Graça Brandăo. Ivens Machado. Machucado e Curado (Série Inscrito) (detail). 1980. Wine on ripped paper. 86.7 x 59.2 cm / 34 1/8 x 23 1/4 in. © Ivens Machado. Courtesy the artist, Galeria Fortes Vilaça and Hauser & Wirth. Photo: Stefan Altenburger Photography Zürich. Channa Horwitz. Sonakinatography I Movement # III for Multi-media. 1969 Plaka casein paint on mylar. 53 x 48 cm / 20 7/8 x 18 7/8 in. Courtesy of the Channa Horwitz Estate and François Ghebaly. Channa Horwitz. At the Tone the Time will be. 1969. Performance documentation 30 x 44 cm / 11 3/4 x 17 3/8 in. Courtesy of the Channa Horwitz Estate and François Ghebaly. Marilá Dardot. ++ (detail). 2014. Wooden table, styrofoam cell trays, vegetable seeds, vinyl letters. 80 x 216 x 78 cm / 31 1/2 x 85 x 30 3/4 in. © Marilá Dardot. Courtesy Galeria Vermelho, São Paulo, Brazil, 2007. Marilá Dardot. ++ (detail). 2014. Wooden table, styrofoam cell trays, vegetable seeds, vinyl letters. 80 x 216 x 78 cm / 31 1/2 x 85 x 30 3/4 in. © Marilá Dardot. Courtesy Galeria Vermelho, São Paulo, Brazil, 2007. Johanna Calle. Reticulas rotas III. 2010 – 2012. Cut and painted wire mesh mounted on museum board. 53 x 51 cm / 20 7/8 x 20 1/8 in. Courtesy the artist and Galeria Marilia Razuk. Geta Brătescu. Les Mains. 1977. 8 mm Film transferred to digital media Black and white, no sound, 7'30''. Courtesy the artist, Ivan Gallery, Bucharest, Galerie Barbara Weiss, Berlin.
© HM Group (Aus) Pty Ltd 2025
  • Editor’s Letter___
  • Subscribe___
  • Connect___
  • Disclaimer___
  • See
  • Hear
  • Taste
  • Smell
  • Touch
  • Qi
  • fluoroShop - Coming Soon
  • Keyword search
  • All country tags
  • All brand tags
  • Editor’s Letter___
  • Subscribe___
  • Connect___
  • Disclaimer___