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Designing Modern Women 1890-1990

An exhibition at the Museum of Modern Art (MoMA) titled ‘Designing Modern Women 1890 – 1990’ explores a stream of design history often overlooked in this period: the considerable contribution of women.

The exhibition is drawn from a selection of pieces in the Museum of Modern Art archive and a selection of objects, furniture pieces, posters, interiors and textiles are on display. Not only focusing on the final creations, the exhibition celebrates the roles of muse, maker, educator and designer. Highlights include the first display of a recently conserved kitchen by Charlotte Perriand, who worked with Le Corbusier on creating the space for the Unité d’Habitation housing project. The kitchen is an example of the modernist approach to housing that was seen throughout these interior spaces.

The exhibition revisits the history of design, and suggests that while men were often heralded as the leaders of design and creation, women played a significant role that was often overlooked. This seen through the work of the couples included in the show, such as Ray and Charles Eames. While Charles is often noted in history for his contributions to architecture, Ray too worked on creations that are iconic today. The show reveals an interesting view of design history, guided by gender.

In April 2014 the exhibition’s focus will shift to ‘Women at War’ and will examine the period of time during the World War I and its resulting influence on women’s role in design.

‘Designing Modern Women 1890-1990’ is on display at MoMA, New York until Wednesday 1 October 2014.

www.moma.org

Fri 22 Nov 13

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Exhibition – Gender – Museum of Modern Art – Women

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Karin Schou Andersen (Danish, born 1953). Flatware. 1979. ABS polymer and stainless steel, fork: 7 1/8 x 1 1/2 x 5/8″ (18.1 x 3.8 x 1.6 cm), spoon: 7 1/4 x 1 3/4 x 3/4″ (18.4 x 4.5 x 1.9 cm), knife: 5 1/4 x 4 x 5/8″ (13.3 x 10.2 x 1.6 cm). Mfr.: Amefa Alpeldoornse, Apeldoorne, The Netherlands. The Museum of Modern Art, New York. Gift of the manufacturer.
Installation view of Designing Modern Women 1890-1980. © 2013 The Museum of Modern Art, New York. Photograph: Thomas Griesel.
Launch gallery
Lina Bo Bardi (Brazilian, born Italy, 1914-1992). Exposição da Agricultura Paulista (Exhibition on agriculture in the state of São Paulo). 1951. Lithograph, 20 x 13 3/4” (50.8 x 34.9 cm). The Museum of Modern Art, New York. Gift of the artist, 1951. Installation view of Designing Modern Women 1890-1980. © 2013 The Museum of Modern Art, New York. Photograph: Thomas Griesel. Helene Haasbauer-Wallrath (Swiss, 1885–1968). Die Praktische Küche (The practical kitchen). 1930. Lithograph, 35 1/2 x 50″ (90.2 x 127 cm). Printer: W. Wasserman, Basel. Gift of Jim Lapides and the Architecture & Design Purchase Fund. Marianne Brandt (German, 1893–1983). Teapot. 1924. Nickel silver and ebony, dimensions variable, height 7″ (17.8 cm). Mfr.: Bauhaus Metal Workshop, Germany. The Museum of Modern Art, New York. Phyllis B. Lambert Fund. Gae Aulenti (Italian, 1930–2012). Table with Wheels (model 2652). 1980. Glass, metal and rubber, h. 11 1/4 x w. 27 1/2 x l. 54 5/8″ (h. 28.6 x w. 69.9 x l. 138.7 cm). Mfr.: Fontana Arte, Italy. The Museum of Modern Art, New York. Gift of Donn Golden. © 2013 Sergio Asti.
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